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Antiquity for Jazz Bass: bridge

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The Jazz Bass pickup is made to the specifications of the mid '60s production instruments and is very similar to the pickups I re-wound for Jaco back in the early '80s. The pickup is wound for the right amount of output and brightness without being too mu 
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Antiquity for Jazz Bass: Neck

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The Jazz Bass pickup is made to the specifications of the mid '60s production instruments and is very similar to the pickups I re-wound for Jaco back in the early '80s. 
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Antiquity for Telecaster: bridge

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I have a great time re-creating the beauty of an early '50s lead pickup Tele®. Using vintage techniques, each pickup is hand-fabricated and scatter-wound. 
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Antiquity for Telecaster®: neck

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This neck pickup for Telecaster® guitars is wound as a full-sounding rhythm pickup. 
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Antiquity Humbucker: neck

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I made this model to look and sound like a well-worn '50s humbucker as originally designed by Seth E. Lover. The pickups are built to traditional standards. Each has its own character and DC resistance, just like the originals. I wanted to give the player 
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Antiquity Humbuckers Bridge

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Antiquity II for Single Coil P-Bass

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Often called the Tele® Bass, this pickup keeps the traditional look of the '50s and '60s. The slightly stronger Alnico V rod magnets gives the pickup more presence and output. It's a little fatter and fuller-sounding than the '50s Antiquity pickup. 
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antiquity II mini-humbuckers bridge

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Antiquity P-90 with Dog Ear cover:bridge

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Imagine the pickups out of an old '52 gold top or a '59 ES-330. By removing the cover you'll find the same hand-fabricated bobbins, wire and "flatback" tape that was used in the originals. Two specially calibrated Dun-Aged™ Alnico II magnets are attached 
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Antiquity P-90 with Dog Ear: Neck

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Imagine the pickups out of an old '52 gold top or a '59 ES-330. By removing the cover you'll find the same hand-fabricated bobbins, wire and "flatback" tape that was used in the originals. Two specially calibrated Dun-Aged™ Alnico II magnets are attached 
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Antiquity Texas Hot

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Each Texas Hot™ is carefully assembled and hand-wound like the traditional classics. 
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Antiquity Texas Hot™ and RW/RP for Strat®

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For years now I've been custom-making these pickups for my friends and special artist friends. Each Texas Hot™ is carefully assembled and hand-wound like the traditional classics. Careful attention to details like scatter-winding ensures that the Texas Ho 
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Antiquity Texas Hot™ Custom Bridge for Strat®

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I wound this pickup hotter for added output and fullness. Like my Texas Hot™, this pickup is both magnetically and physically aged to sound and look like a '50s pickup but with an added punch. 
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Firebird: Bridge y Neck

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I remember seeing Stevie Winwood play a Firebird® at a concert back in Cincinnati and it sounded amazing. It was kind of like a cross between a single coil and a humbucker. This pickup is similar to the mini-humbucker, but without the adjustable pole piec 
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Mini-Humbucker: neck / 11014-11

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I always liked this pickup. I'll never forget a guy named Glenn Schwartz who played in the early James Gang and Pacific Gas & Electric. He had an old Epiphone® Sheraton™ fitted with mini-humbuckers that got such a huge tone. With this pickup, I set out to 
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Seymour Duncan Antiquity II for Firebird: bridge

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I remember seeing Stevie Winwood play a Firebird® at a concert back in Cincinnati and it sounded amazing. It was kind of like a cross between a single coil and a humbucker. This pickup is similar to the mini-humbucker, but without the adjustable pole piec 
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